“It would be rather interesting, a fight between them,” said Joan. “Myself I should back Phillips.” “Must you, dear?” she said. “Can’t you reconcile it to yourself—to go on with your work of mercy, of saving poor folks’ lives?”!

“But perhaps I can arrange a meeting for you with a friend,” she added, “who will be better able to help you, if he is in Paris. I will let you know.” And then that she might not see the walls of the room open before her, hear the wild laughter of the thousand devils that were coming to bear her off, she threw herself down, her face hidden in the pillow, and clenched her hands and waited.

“Oh, don’t you believe her,” she advised Mr. Halliday. “She loves you still. She’s only teasing you. This is Joan.” She did not see him again that night. They met in the morning at breakfast. A curious strangeness to each other seemed to have grown up between them, as if they had known one another long ago, and had half forgotten. When they had finished she rose to leave; but he asked her to stop, and, after the table had been cleared, he walked up and down the room, while she sat sideways on the window seat from where she could watch the little ships moving to and fro across the horizon, like painted figures in a show. They went into the drawing-room. Her father asked her to sing and Arthur opened the piano for her and lit the candles. She chose some ballads and a song of Herrick’s, playing her own accompaniment while Arthur turned the leaves. She had a good voice, a low contralto. The room was high and dimly lighted. It looked larger than it really was. Her father sat in his usual chair beside the fire and listened with half-closed eyes. Glancing now and then across at him, she was reminded of Orchardson’s picture. She was feeling sentimental, a novel sensation to her. She rather enjoyed it.